By John T. Soister
In the course of the Silent period, while such a lot movies handled dramatic or comedic takes at the "boy meets lady, boy loses woman" subject, different films dared to take on such issues as rejuvenation, revivication, mesmerism, the supernatural and the gruesome. A Daughter of the Gods (1916), The Phantom of the Opera (1925), The Magician (1926) and 7 Footprints to devil (1929) have been one of the strange and startling movies containing tale parts that went a long way past the world of "highly unlikely." utilizing surviving documentation and their mixed services, the authors catalog and talk about those departures from the norm during this encyclopedic consultant to American horror, technology fiction and delusion within the years from 1913 via 1929.
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Extra resources for American Silent Horror, Science Fiction and Fantasy Feature Films, 1913-1929
Grifﬁth was now in California and afﬁliated with the Mutual Company (which had meanwhile absorbed Thanhauser), although his earlier struggles with his employers at Biograph had led to a number of important successes. His Enoch Arden (1911), for example, which was but two reels in length, was released in two parts per Biograph ﬁat. When audiences demanded that both parts be shown together, exhibitors complied and tworeel features soon became the order of the day, despite the opposition of the Motion Picture Patents Trust.
The closest thing to a clue that West gives us on that score is her observation of the exchanges between Dale and the 23 putative gardener, a hint that Cornelia is constantly observing people. The wondrous thing about Fitzroy’s performance is that, despite her character’s tranquil demeanor, we never once doubt that she is in charge of the proceedings. London-born Fitzroy (1860 –1954) made her ﬁlm debut in 1913 and was kept steadily employed until she retired in 1944, specializing in motherly types and society women.
Meanwhile, J. ” In the end, Ford lost his suit coming and going; he was forced to pay hefty damages as a result of all of this courtroom brouhaha, and the attendant publicity actually helped increase ticket sales for Battle Cry. It seemed like nary a soul involved in the current events of the day failed to have their name linked to the picture in one way or another. First on board was ex-president and former roughrider, Teddy Roosevelt, who had read Blackton’s scenario almost as soon as it was sketched out.
American Silent Horror, Science Fiction and Fantasy Feature Films, 1913-1929 by John T. Soister