By Tom Ryall
First released in 1986, this general account of Hitchcock's British movies and film-making is now on hand back in a moment variation with a brand new creation and Bibliography. it is going to be welcomed via all scholars of the movie and admirers of Hitchcock
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Extra info for Alfred Hitchcock and the British Cinema
37. Kine Weekly, 7 Oct. 1926. 38. F. Truffaut, Hitchcock (Panther, London, 1969), p. 49. 39. B. ', Sight and Sound, vol. 48, no. 2 (1979). 40. B. Salt, Film Style and Technology: History and Analysis (Starword, London, 1983), p. 215. 41. See L. Eisner, The Haunted Screen (Seeker and Warburg, London, 1969), pp. 119-27. 42. R. Durgnat, The Strange Case of Alfred Hitchcock (Faber and Faber, London, 1974), p. 77. 43. Ibid. 44. Bazin, 'Evolution 1 , p. 27. 45. Salt, Film Style, p. 217. 46. Hitchcock may have become familiar with Pudovkin's editing theory through his links with Ivor Montagu who translated Pudovkin into English in the late 1920s.
Ibid. 19. , p. 96. 20. , pp. 401-2. 21. Ibid. 22. See A. Bazin, The Evolution of Film Language' in P. Graham, The New Wave (Seeker and Warburg, London, 1968), p. 25. 23. R. Low, The History of the British Film 1918-1929 (Allen and Unwin, London, 1971), p. 130. 24. , p. 129. 25. See Alan Lovell's essay on Grierson in A. Lovell and J. Hillier, Studies in Documentary (Seeker and Warburg, London, 1972). 26. S. Hood, 'John Grierson and the Documentary Film Movement', in J. Curran and V. ), British Cinema History (Weidenfeld and Nicolson, London, 1983), pp.
258. 56. Ibid. 31 This page intentionally left blank Chapter Three The British Film Industry in the Interwar Years Although Hitchcock had some links with the 'artistic' wing of the British cinema during the 1920s, it was in the commercial film industry that he was to forge his career. In Chapter 1, the notions of 'film industry' and 'national cinema' were unpicked into their different strands and shown not to be neat and unified in terms of their empirical reference. Studies of national film industries or national cinemas involve the study of many different kinds of history which may or may not run happily in unison with each other.
Alfred Hitchcock and the British Cinema by Tom Ryall